Christianity, Stories, The Glen Workshop, Writers/writing

Final day of “Fun With Flannery”

What?! It’s over! Fun With Flannery is finished?? NO! Rats! Dang. Phooey. Sadness… sigh.

 

Flannery

But what an amazing week of discovery it was, led by Dr. Karen Swallow Prior. A teacher I know frequently warns his students, “Don’t miss your moment!” This workshop was certainly the moment to experience an immersion into Flannery O’Connor –  her writing style, her art and her calling.

The larger context of the Fun With Flannery class is The Glen Workshop –  a marvelous week long art-and-faith event which seems to defy everyone’s attempts at describing it. I like the paragraph on the landing page of The Glen’s website:

“Situated in the foothills of the Sangre de Cristo Mountains [in Santa Fe, New Mexico], the Glen Workshop is equal parts creative workshop, arts festival, and spiritual retreat. The Glen’s arresting natural environment is contrasted by its casual and inviting crowd of artists, writers, musicians, art appreciators, and spiritual wayfarers of all stripes.”

If as an artist you are dry as dust, this gathering of kindred souls in the High Desert location of St John’s College, where The Glen takes place, will drench you in beauty, friendship and inspiration. The Glen Worksop is sponsored by Image Journal which is out of Seattle Pacific University,

But back to Flannery O’Connor. All thirteen of us Glensters agreed that the most surprising discovery of the workshop was the power of reading O’Connor’s stories aloud.  As we listened to a story, often read in long sections, Flannery’s uncanny insight into the human heart became more illuminating, more comical, more touching,  more shocking.

In addition, each short story video Dr. Prior presented gave us a new picture of a Flannery story, illustrating how wondrously visual she is in her writing. Color, setting, sunlight, shadows, symbols — all play a part in an O’Connor short story. “Flannery has a purpose for everything she puts in her stories, ” said Dr. Prior, “Nothing is extra, nothing is wasted.”

What about the violence contained in O’Connor’s stories? It wasn’t long before the class could see the paradox that Dr. Prior suggested was in Flannery’s work:  Violence was a means of grace for her characters. Violence was O’Connor’s method to force her figures to shake-off the blinders of the skewed moral judgments and cliched thinking that plagued them. As we students progressed through nine short stories together, we found that the lens we used to study Flannery’s tales transfigured itself into a mirror which reflected back to us our own flawed judgments and prejudices.  One commentator in the documentary we watched on Flannery’s life, called Uncommon Grace (2015), said that O’Connor was “continuing Jesus’ work by telling parables to the modern world.”  After spending a week deep-diving into Flannery O’Connor’s life and art, I believe she was indeed a parable teller of extraordinary skill.

Flannery O’Connor died in 1964 at age thirty-nine from lupus, an autoimmune disease. At that time, according to Wikipedia, Flannery’s oeuvre included two novels, three short story collections, and five other works. An addition to her work, a prayer journal, was published in 2013. I am hopeful that more of Flannery’s work will be published in the future.

 

 

Christianity, Stories, The Glen Workshop, Writers/writing

Flannery rules…

 

Can this be day three of Fun With Flannery? Again we had a deep and insightful discussion which included viewing a movie  based on O’Connor’s short story, “The River.” We will also watch a film version of her short story “The Comforts of Home” in a future class. The film interpretations of O’Connor’s stories have added significantly to our discussions and understanding of Flannery’s work. So grateful that Prof Prior has included them in the class. Paul Anderson, Director of Programs at the Glen Workshop, was gracious enough to take a class picture of the Flannery Glensters. Good country people, every one of them.😊

Christianity, Church life, Stories

“I Will Lay My Burden Down…”

Shirley Dobson told this story many years ago at a Women of Faith gathering in Minneapolis, Minnesota. This is how I remember it:

Shirley and her husband had been associated with a rural retreat center for many years. It was a breathtaking location with many wooded paths lacing through the hilly acreage. During one of their stays at the center, Shirley was struggling with a burden that was all consuming. She told us that she prayed about it constantly, but could not escape her worries. Eventually, she came upon on a plan: she decided to find a rock to represent her concerns then place it at the foot of a favorite tree along a trail at the center.  In that way, she said, she could physically surrender her anxiety to God and be free of it. Shirley did this and a sense of relief filled her.

Time passed. When Shirley was next at the retreat center the news was announced that the property had been sold, and the grounds would soon be closed. Shirley immediately thought of her “burden” rock at the base of the tree and ran quickly to the site to collect it. When she arrived at the spot,  she saw that the roots of the tree had grown over her rock. There was no possible way for her to take it back – to pick up her burden again. She had given it to God and he obviously intended to keep it.

Shirley explained how shocked and embarrassed she was when she saw the rock… and how thankful. She told us that she then realized a pattern in her life: she would give her burdens to God in prayer, but later take them back again, convinced that God was not up to the task of caring for her problems. Seeing the rock, her burden, embedded in the soil, surrounded by the roots of the tree taught her the truth of the matter – God is able and God is faithful.rocks and roots

Christianity, Family Life, Kids, teachers

The best age to be…

 

 

three year old

If you ever get the opportunity to speak to a three-year-old, ask them this question: “How old are you?” Chances are they will look you in the eye, hold up three fingers and say, “Free.” Ginny Junttila, my sister Claudia’s  mother-in-law, who was a kindergarten teacher for decades, told me she had asked this question of many three-year-old children over the years and all of them had responded the same way. And then Ginny added, “Isn’t that lovely? Everyone should have a year to be “free,” don’t you think?”

Yes, I do think everyone should have a year, or more, to be free. And a place to be free, also. Wouldn’t it be wonderful if Christian churches were thought of as places where one is free?;  places where one is free to ask questions about Jesus and other important subjects?;  places where one is free to discover what it means to be truly human?

Perhaps we need to change our adult thinking and regain the unselfconscious mind of a three-year-old in order to grasp what it means to be free, to live in freedom in Christ.

 “He called a little child to him, and placed the child among them. And he said: ‘Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven.’ ” (Matthew 18:2-4) NIV

Christianity, Church life, Writers/writing

“What this story needs…”

 Modern LAst Supper

Today is Maundy Thursday, the day when Christians recall Jesus’ Last Supper before his death on the cross. The gathering that Jesus entered into with his disciples on this night was the Jewish celebration of the Passover meal. At Passover, the ancient Story of God’s Covenants with and faithfulness to Israel are recalled. On this particular Passover, the Last Supper, Jesus added a new chapter, a New Covenant, to the Story. This New Covenant, “A new command I give you: Love one another. As I have loved you, so you must love one another,” (John 13:34) helps us to grasp that the Story, the Bible, is not primarily a collection of rules, it is a love Story.

All of us have a story. I wonder, who holds the copyright to your story? Apple? Amazon? People Magazine? Jesus made sure he cited the source of his Story: “I don’t speak on my own authority. The Father who sent me has commanded me what to say and how to say it.” (John 12:49). Maundy Thursday is a good day to remember stories, and to ask ourselves if the righteous one, Jesus,  holds the copyright to our story.

Speaking of stories,  here is a touching tale. Sadly, I have lost the name of the person who originally shared this anecdote, but it is so good I wanted to share it with you. If you know the author of this piece, please email me and I will gladly cite the source. Thanks!   

“A woman had held a Bible study in her home for a number of years. One day, a young neighbor and new member of the Bible study group stopped by to talk to the hostess. The new Bible student expressed her concern about the way the Old Testament stories were going. ‘So much violence and confusion, and such terrible things are happening,’ she said. ‘You know what this Story needs?’ the woman offered, ‘It needs a hero.’ At this, the hostess of the Bible study took the young woman’s hands in her own, looked into her eyes and said, ‘Keep reading. He’s coming.’ ”

Image is of “The Last Supper” by artist Janefargo.

Christianity, Church life, Family Life, Reviews

Mother Tongue by Leonard Sweet – a book review

Mother Tongue Book Cover

Author Leonard Sweet’s mother, Mabel Boggs Sweet, shines like the finest gold in Sweet’s most recent book and semi-memoir, “Mother Tongue: How Our Heritage Shapes Our Story” (NavPress, 2017).Written using the metaphor of a memory box, Sweet presents his family’s story by employing chapters titled with memory box “artefacts,” for example, “Ma’s Wedding Ring, Dad’s Hellevision,” “Polio Braces,” “Lye Soap,” and twenty-two others. Sweet composes the chapters as spectacular dioramas or stage settings so that the reader can step directly into the home and lives of the remarkable family of Leonard L. and the Reverend Mabel Boggs Sweet and their sons, Leonard I., Philip, and John.

Although Mother Tongue is the tale of the Leonard L. Sweet family, Mable Boggs Sweet was the powerful hub of that tribe and home – and what a home it was. Set on “Hungry Hill” in the town of Gloversville, N.Y., Mabel Boggs Sweet, “an early woman preacher, a church planter, and lay theologian,” (xxiii) took a low profile in public ministry after her marriage and the birth of her three sons. She shifted her outreach from the tent meetings of her time to her boys, whom she saw as her new mission field, and she made their home a “religious community.”(51) Had Rod Dreher been writing “The Benedict Option” (PenguinRandomHouse, 2017) then, he might have used the Sweet household as his model for Christian family life.

Mabel Boggs Sweet, a dynamic Pilgrim Holiness preacher, instituted a family pattern of prayer, Bible study, evangelism, and excellence in academics and musical skills for her sons. Sweet, in his evocative and image-rich way, makes clear that these activities were done to form Christ in the Sweet boys, and with a heart for reaching the lost. Not one to keep the good news of Jesus Christ to herself, the boys struggled with their Mother’s outgoing style of evangelism. Even so, writes Sweet, “In spite of all the embarrassment as kids growing up, we got the sense that to be a follower of Jesus is to be heir to an extraordinary heritage, host to the very Son of God, and harbinger of a promised future….”

In the chapter that features the artefact of an “Upright Piano and Soundtrack for the Soul,” Leonard Sweet describes the way in which Mabel Boggs Sweet put her boys to bed: “But mostly Mother would tuck us in musically. We would call down hymns we wanted her to play, and she would either play them by memory or look them up in one of the many hymnbooks scattered on the piano or stored inside the bench. If a radio pulls sound out of the air, prayer pulls sounds out of the heart. The assumption was that our musical requests would reflect the need of our hearts at that moment. There was hardly a problem that didn’t have disharmony as its cause, and there was hardly a problem that a song couldn’t cure.”

It is clear in Mother Tongue that Jesus was first and foremost in Mabel Boggs Sweet’s mind and heart, and she imparted the Jesus-way of life to her boys. This could lead one to believe that peace and perfection were everywhere in their home, but not so. The Sweet clan was a fully human family in our get-real modern world. Together they experienced rejection and shunning from church leaders and fellow church members, suffered the physical results of professional medical negligence, endured the brutal effects of polio, and lived through the destructive, rebellious years of teenage children. Despite these devastations, Mabel Boggs Sweet persevered as she followed her Lord and Savior, Jesus Christ, and clung to the Truth in her role as a mother and a preacher.

“Mother Tongue: How Our Heritage Shapes Our Story” is a frankly intimate and revealing book. Pain is present in these pages, but humor, beauty, love and wisdom are paramount. There is no doubt about who the central character of the narrative is, or what heritage has been passed from Mother to sons in this story: it is Jesus Christ – King, Shepherd, Lord, and Lover of Mabel Boggs Sweet’s soul.

Mabel Boggs Sweet’s life was lived in the Refiners fire, a complex process that produces the finest gold. Her life of burnished gold is truly the most precious artefact in “Mother Tongue” and is what shines so luminously in Leonard Sweet’s outstanding book.